Showing posts with label Mosaic Art. Show all posts
Showing posts with label Mosaic Art. Show all posts

Tuesday, 15 December 2015

Egyptomania, orientalism and modernism

Farhad Ahrarnia at Lawrie Shabibi in Dubai

Lawrie Shabibi presents the first solo exhibition by the Iranian artist in the Middle East.

Running until 14 January 2016, “A Dish Fit for the Gods” features Farhad Ahrarnia’s unique works expressing the ambivalent engagement between West and East through a combination of sculpture, painting, photography and embroidery.
Farhad Ahrarnia, ‘The Delirium of Becoming, a Moment Caught Between Myth and History, No. 1′, 2015, digital print dyed onto cotton fabric, hand embroidered using silk, cotton and metallic thread, and needles, 147.5 x 113 x 2 cm. Image courtesy the artist, Lawrie Shabibi and Art Radar.
byC. A. Xuan Mai Ardia, Art Radar

A Dish Fit For the Gods” at Lawrie Shabibi in Dubai marks the first time Iranian-born, UK-based artist Farhad Ahrarnia exhibits in the Middle Eastern region.

Ahrarnia’s diverse work typically draws from his upbringing in Iran and engages with inter-cultural cross-pollination and influences, media manipulation of reality and the constant power play between tradition and modernity.

His hometown Shiraz, where he was born in 1971, provides a constant reference and source of inspiration for his artistic practice, which utilises local, traditional techniques and crafts such as embroidery, metalwork and mosaic in combination with contemporary ones such as photography and digital printing on canvas.

On the opposite spectrum lies another major source of inspiration: western modernism. Kazimir Malevich, a key figure of Suprematism, is one of the artist’s major influences, while the modernist architecture that coexists with ancient ruins and historic buildings in Shiraz provides Ahrarnia with a heightened receptivity to and aesthetic sensibility combining East and West, tradition and modernity.

From the West, celebrity icons and images, Hollywood posters, beauty pageants, Time magazine covers or heroic war photography also contributed to animate Ahrarnia’s imaginative work, which juxtaposed such imagery with references to his cultural heritage and that of other areas of the Middle East.