Nezhat Amiri’s recent high-profile performance caps a 38-year fight for recognition
|Nezhat Amiri performing in Tehran’s Vahdat auditorium. Photograph: Alireza Ramezani/Ilna.ir. Courtesy the Guardian.|
Last month, however, Nezhat Amiri conducted a 71-member orchestra performing at Tehran’s most prestigious concert hall – a remarkable milestone in a country where it is considered taboo for state TV to show musical instruments, women are not allowed to sing solo and female musicians have been prevented from going on stage in provincial cities.
“From the beginning, I’ve swum against the current – I wasn’t seen, the society didn’t make any effort to nurture my skills and the ruling establishment turned its back on me,” Amiri, 57, told the Guardian. “But I’m still doing it, I’m showing that there are ways, and there will always be.”
Amiri’s performance, part of the annual state Fajr music festival, brought 55 musicians and a 16-member choir – with women making up almost half of both groups – on stage for two hours, to play three pieces by masters of Persian classical music, including a work by the legendary composer Morteza Hannaneh, for the first time.