Here’s How They Are Still Fighting for Ideas
The protests have brought new hurdles but Iranians are determined to keep the art scene alive.
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| Installation view, “For Life” at Aaran Gallery in Tehran. Courtesy Artnet News. |
by Rebecca Anne Proctor, Artnet News
On November 4 in Tehran, O Gallery owner Orkideh Daroodi bravely reopened her gallery’s doors after one and a half months of intense protests and upheaval following the death of 22-year-old Mahsa Amini in police custody.
Reopening the gallery and staging exhibitions was risky during a moment of unrest and violent crackdown from the Iranian government. It was also socially risky. Galleries and many other businesses initially shuttered in solidarity with the protests. When Daroodi announced her reopening on Instagram, she immediately faced backlash from some members of the art scene, who saw the return to business as lacking in solidarity with the protests. Several other galleries that reopened in November without making public announcements faced a similar situation. On the morning of the gallery’s reopening, someone splattered red paint all over the gallery door and steps. The message was clear.
“They accused us of opening at the wrong time. But when is the right time?” Daroodi told Artnet News. “Our opening coincided with the day that many people were on the streets, being killed and imprisoned, and we were cursed endlessly saying that we didn’t care about the lives of the citizens and that all we cared about was money. But in fact by being open we were showing resistance and actually living the woman, life, freedom slogan.”
While Daroodi and other Iranian gallerists have resumed staging exhibitions and selling art, some remain reluctant to hold solo exhibitions due to safety concerns, afraid of provoking the wrath of the protesters as much as attracting the attention of the oppressive Islamic regime.
