Taha Heydari, Shooting the Edge, 2017-2019. Acrylic on canvas. Courtesy Taha Heydari and Observer. |
Taha Heydari is having a moment in a big way. With one solo show having opened this week in his hometown of Tehran, another coming up at San Francisco’s Haines Gallery and growing interest from collectors in his adopted East Coast home, the 33-year-old painter is a busy man.
Observer visited Heydari’s studio last month at the School 33 Art Center in Baltimore, where he has been an artist-in-residence since graduating with an M.F.A. from the Maryland Institute College of Art’s (M.I.C.A.) three years ago. A converted 19th century schoolhouse with soaring windows, the bright, cheery setting feels oddly incongruous to Heydari’s often-dark, hyper-contemporary paintings.
One of the smaller, more intimate works bound for “Impact Crater,” Heydari’s solo show at Tehran’s Ab-Anbar gallery, depicts the mummified corpse of Lenin as if viewed through a grainy night-vision camera. It’s an image that manages to be somehow even creepier than its morbid subject matter. Another renders a pixelated explosion from the point-of-view of a first-person-shooter video game. The hand pulling the trigger blurs into the foreground the way a buffering Skype call might, complicating the viewer’s implied relationship to the violence. It recalls the live-streaming footage of conflicts cable news bombarded us with in the days of “Shock-and-Awe” foreign policy. In nearly all of Heydari’s work, references (both subtle and overt) to state control, consumer culture, surveillance and censorship are ambiguously combined and abstracted.
Does Heydari find it weird to have a life and career that straddle two countries with extreme, arguably insane, right-wing governments—governments that have made fear-mongering and hatred of each other an intrinsic part of their respective identities? “Of course!” he laughs. “Growing up in Iran we were surrounded by propaganda about the ‘The Great Satan.’ So I always thought, ‘hmmm…maybe I want to meet this Satan! What’s the devil like?’”