|Courtesy Electronic Beats.|
I was born and raised in Tehran, and I got into music at a very young age—when I was maybe 6 or 7 years old. I started playing very traditional Iranian instruments, like the tombak and dayereh drums, a string instrumental called a tar, the zither-like santoor and one non-traditional instrument: the guitar. I’ve been making music myself since 2004, but before that I was working as a DJ with lots of my own techniques. I decided to make my own music and started working in Ableton, plus a bit of Reason and Logic. But what I make is very different from what I play, and I’m still mainly known for being a DJ.
My earliest DJ gigs were actually at private events in Dubai in 2009. It was an amazing experience for me because I was used to playing only for very small groups in Iran. I was even offered a residency at a club in Dubai, but unfortunately I wasn’t able to stay due to visa issues. My first official DJ set—one that wasn’t a private or unofficial party—was actually only a few months ago in Yerevan, Armenia. It was amazing to play in a proper club, to have that atmosphere and to play for people from so many different places. I love playing for people I’ve never met. It’s quite a contrast to playing in Iran, where there aren’t any clubs or public nightlife. All the underground music has to happen at parties at private homes. The crowds at house parties in Tehran can vary a lot, from 30 up to even 200 people. Most of the people there are Iranian, unless by chance someone has a foreign guest visiting. But other than that, Iranians make up 90 percent of the parties. As far as the atmosphere goes, I’d have to say that we all have similar problems everywhere in the world: when you mix drugs and alcohol, the chance of altercations increases. However, I do think there’s less chance of problems at parties in Iran because everyone’s usually friends.