Here, she recounts Germany conquering Ukraine in the second world war. She brings calm, then conflict. A couple on a bench become a woman's face; a peaceful walkway becomes a conflagration; a weeping widow morphs into an obelisk for an unknown soldier. Simonova looks like some vengeful Old Testament deity as she destroys then recreates her scenes - with deft strokes, sprinkles and sweeps she keeps the narrative going. She moves the judges to tears as she subtitles the final scene "you are always near".
It might just happen. Her war story has over 2,600,000 views on YouTube and is provoking an interesting debate in the comments section. Jgoo24 notes that "sand is her bitch" and few would argue with this. "Maybe the most magnificent master piece of art of all time" says DevinsDad90, not a man prone to hyperbole. And also "i just jizzed in my pants" (thank you, deaddevil6).
Leaving aside the never less than disturbing thoughts of the YouTube massive, it's clear that Simonova has achieved her goal as an artist. If we take it that art's purpose is to illuminate the world in a new way, provoke a reaction, somehow alter the consciousness of the viewer then her work is a huge success. And that high art can come from a format that produced Stavros Flatley and that it can be popularised and sent around the world is surely some kind of modern miracle.
Via The Guardian - TV & Radio Blog & YouTube